Dynamic, experimental, rigorous, open-minded, and accessible, Kunsthalle Basel is a place for audacious art and exhibitions by emerging artists. Established in 1872 by the Basler Kunstverein (Basel Art Association), Kunsthalle Basel is world renowned for engaging with pioneering practices in contemporary art.
Kunsthalle Basel looks back with pride on a long history of exhibitions that nurtured the development of art and supported, early in their careers, emerging artists who would go on to become part of art history. In the early twentieth century it hosted major solo shows by Edvard Munch, Paul Gauguin, Sophie Taeuber-Arp, Vincent van Gogh, and Piet Mondrian. In subsequent decades it featured Jackson Pollock, Alighiero Boetti, Joan Jonas, Jeff Koons, and Richard Serra. And more recently we have been proud to present solo shows by Moyra Davey, Anne Imhof, Mark Leckey, Superflex, Andra Ursuţa, Danh Vo, Yan Xing, and Anicka Yi, to name only a few.
LuYang takes the human as the center point of an investigation that deploys the cultures of anime, Buddhism, digital technology, gaming, Indonesian dance rituals, neuroscience, and sci-fi to mine the mess (and magic) of the human condition. The resulting artworks are engrossing, fantastical, and sometimes grotesque techno-psychedelic videos, installations, and computer games that tackle topics of such magnitude as life, death, reincarnation, or even global destruction. For LuYang Vibratory Field at Kunsthalle Basel, the Shanghai-born artist’s first solo exhibition in Switzerland and one of the most comprehensive presentations of the artist’s production from the last decade, nearly every room will evoke a different cosmos spawned from the videos featured within them.
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